Eva Green as the enigmatic Miss G. Backlit by a grey, clouded sky that emphasizes her solitude. |
Miss G again on her own, this time at the gates of the boarding school. Little to no lighting gives strength to the atmospherically rainy weather. |
The elite 'circle' of friends caught in one of the rare periods in which they are content with one another. Everything is naturally lit, making the scene a peaceful one as the girls soak up the sun. |
Dressed up for their St. Agnes Eve feast. The girls blend their 1930s fashion with flowers reminiscent of Keats' romanticism. This feeling is also aided by the warm, lightly-honeyed lighting. |
Renegades skinny-dipping by the light of the moon. The underwater shots in this scene give everything a magical look, especially in contrast with the rest of the film. |
A foreigner to England, Fiamma (here played by María Valverde) reads alone in the stables. The light source is opposite, covering her but also creating a shadow along the wall. The symbolism of the barred stalls speaks volumes, too. |
Poppy (Imogen Poots) looking through a crack. What she sees is terrible... as viewers are encouraged to think given the dim lighting and the pinpoint reflection in her eye. |
If I were forced to describe the film in one sentence or less, I would say that it is a pristine example of that iffy place between being a child and an adult.
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